為什麼主要以錄像為創作媒介?
錄影片段結合了很多的 freeze moment,與時間十分有關,而我對這類媒介特別有興趣。對我來說,錄像可以讓我看到一些「走漏眼」、看不到的東西,亦更能令我了解自己在看什麼。
為什麼主要以錄像為創作媒介?
錄影片段結合了很多的 freeze moment,與時間十分有關,而我對這類媒介特別有興趣。對我來說,錄像可以讓我看到一些「走漏眼」、看不到的東西,亦更能令我了解自己在看什麼。
你的創作關於什麼?
源於一些奇想、幾絲情緒、和大量過往所見所讀所感的影像、文字、經歷的累積。主題關於記憶、時間、自然、宇宙規律、情感與思緒狀態。透過物象組合與視覺符號重構我所感知的世界,以細線、墨染、賦彩將之具體呈現眼前。
同時也在思考工筆畫歷經北宋時期的高峰後,發展至今,要如何帶著傳統之美進入當代世界,繼續展現線條與色彩的美好,同時表現當下藝術家的思想與情懷。
Tell us about your recent project.
I made three paintings, titled “A Sweeter Journey- Hong Kong/ Mumbai/ Zürich”, they are simply about my experience of offering pieces of candy to strangers in three different cities.
With the objective of conducting a comparative study of social interaction, or the lack of it, in urban public spaces, I intervened in mass transport systems of Mumbai, Hong Kong and Zürich by offering candies to strangers. “A Sweeter Journey” was carried out with support from Art Oxygen, Mumbai, Pure Art Foundation, Hong Kong and Zürich University of the Arts, Zürich.
The paintings distill my journey across three very different cities.
Tell us about your art practice.
I started to create pop-up art interventions in the past years. My works always associate to the place and the surrounding people, it involves me adding-on or tweaking something at a specific location, and create something different to the people there.
你的創作關於什麼?
我的創作主要以人和社區為主題。我希望人們可藉著我的創作了解藝術,從而了解社區,亦讓他們明白每人都可以創作藝術品。
Tell us about your art practice.
It’s about the interaction between artificial light and neon colour and how it creates an atmosphere of contemplation, mystery and longing, which seems paradoxical to the busy, crowdedness of urban cities. My ideas and motifs are sourced from nocturnal observation of urban areas in Hong Kong.
你的創作關於什麼?
我的創作是解讀者的一種主動誤取,選我所愛,棄我所惡,是一個充滿驚奇,誤解,衝突,反省和再認識的過程,再創造,對自己的文化重新再認定,通過我內在的世界和周圍環境的反映,來解釋我本身,創造我自己的世界,由此超越日常生活的理解。